Today, Parker also releases an additional album track, It Might Be Time, which follows the previously released album track, Borderline. Parker also released a single, Patience, earlier this year. The Slow Rush was recorded between Los Angeles and Parker’s studio in his hometown of Fremantle, Australia. The twelve tracks were recorded, produced and mixed by Parker.
Fans can pre-order The Slow Rush at tameimpala.com and all major retailers. Sign up to the mailing list for touring news. Digital pre-orders will receive the two album tracks instantly. The Slow Rush will also be printed in four heavyweight double disc vinyl formats – standard black, forest green (Limited Edition – JB HiFi), red/blue (indie retail exclusive) and splatter (Tame Impala webstore exclusive).
It Might Be Time is your paranoid shadow snapping at your Achilles heel. It’s the horrifying idea that your mojo’s gone out for a walk and it may not be coming back. It’s second guessing yourself, wondering “have I still got it? Did I ever??” Your paranoid inner observer taunting you in your own denial, telling you to wake up and accept your salad days are over. A dynamic, bombastic burst of pungent prog-pop, It Might Be Time pulses on an insistent keyboard groove, punctuated by collisions of overblown drums flaying at the edges, the outward expression of a restless internal funk. A heady psych bomb threatening to implode, It Might Be Time is potent Tame Impala 2020.
The Slow Rush is Parker’s deep dive into the oceans of time, conjuring the feeling of a lifetime in a lightning bolt, of major milestones whizzing by while you’re looking at your phone, it’s a paean to creation and destruction and the unending cycle of life. Parker told the New York Times earlier this year, “A lot of the songs carry this idea of time passing, of seeing your life flash before your eyes, being able to see clearly your life from this point onwards. I’m being swept by this notion of time passing. There’s something really intoxicating about it.” The album cover was created in collaboration with photographer Neil Krug and features a symbol of humanity all but swallowed whole by the surrounding environment, as though in the blink of an eye.
In the last six months Tame Impala have headlined multiple major festivals including Splendour in the Grass, Coachella, Primavera, Lollapalooza, ACL and more. He debuted two new songs on Saturday Night Live and sold out arenas around the world including two nights at New York City’s Madison Square Garden.
Tame Impala is Kevin Parker. His last album Currents was released in 2015 debuting #1 on the ARIA Album Chart, certified platinum sales and earning him a second GRAMMY nomination, a second APRA Song of the Year award for Let It Happen and a Brit Award for Best International Band. The album received 5 ARIA Awards including ARIA Album of The Year and world-wide critical acclaim. The New York Times labeled it a “a tour de force” and Pitchfork said, “nearly every proper song on Currents is a revelatory statement of Parker’s range and increasing expertise as a producer, arranger, songwriter, and vocalist while maintaining the essence of Tame Impala.” NPR noted, “[Parker] advocates for constant reinvention… That commitment to evolution helps make Tame Impala an unlikely but worthy candidate for major stardom.”
Thanks to the ravenous demand of fans for a transcendent live performance, Tame Impala has headlined festivals and theatres around the world and released three full length albums – Innerspeaker, Lonerism and Currents. As a writer and producer Parker has collaborated with Travis Scott, SZA, Lady Gaga, Mark Ronson, Kanye West, Kali Uchis, Theophilus London, Miguel, A$AP Rocky and more.